When most people think of Buddhism they begin to imagine a lone monk in the forest or a serene rock garden. The world of ghosts, amulets, and magic are usually from their mind. They may even feel some aversion to the notion that the meditative calm of monks from the East could have anything to do with these superstitious ideas and practices. Thai Digital Monastery. Instead of looking for Buddhism, he let Buddhists tell, show, describe and recount what they do, chant, hold, and value.
McDaniel uses the story of the lovelorn ghost and the magical monk, who we find out, is the infamous Somdet To, as an opening to explore the various aspects of contemporary religious Buddhist practices and how they shape Thai society. The six degrees of separation (from Somdet To) takes us through an erudite analysis of biographies, hagiographies, film, statues, amulets, murals, texts, magic, chants, and photographs, in the coproduction of religious knowledge. While McDaniel’s book is a key contribution to Thai, Theravada, and modern Buddhism, it is also valuable in the study of religion more generally. His approach provides a template for the “pragmatic sociological study of cultural repertoires,” which examines what a particular person carries, recites, and respects, how they do something, how they say they do something, and the material and social contexts they do it in. This allows us as researchers to unshackle our study from the expectations of certain terminology. He also problematizes a number of other categories, such as, magic, cult, localization, folk, popular, local, syncretism, synergy, domestication, hybridity, and vernacularization, by demonstrating their limited usefulness when attempting to describe a Thai monastery, shrine, liturgy, or ritual. These innovative moves in methodology should be motivational to others in the field more generally. Overall, McDaniel produced a highly readable and enjoyable portrait of Buddhism in contemporary Thailand.