Lucio Castro joins DN with decade spanning film 'End of the Century' which reunites 2 men for a one night stand whose seeds were sown two decades earlier.

Maura Delpero reveals how she built cohesion between the professional, non-professional and child performances needed for her drama debut 'Maternal'.

Eryk Rocha tells DN how the themes of isolation & economic struggle in his story of a Rio cab driver, 'Burning Night' mirror the current crisis in Brazil.

Director Henry Blake reveals the many ways his proof-of-concept short paved the way for the creation of his powerful debut feature 'County Lines'.

Svetla Tsotsorkova joins DN to discuss her drama feature 'Sister' the story of a compulsive liar whose fanciful stories threaten to tear her family apart.

Phillip Youmans joins DN to discuss the experience of taking on multiple production roles for his Tribeca winning debut feature 'Burning Cane'.

Hari Sama talks to DN about heading back to the post-punk days of sexual liberty, outsider art and drugs which helped shape him in 'This Is Not Berlin'.

Isabella Eklöf discusses 'Holiday', her unflinching depiction of the control and sexual violence lurking beneath the glitzy veneer of power and money.

Philippe Faucon discusses the integral role non-actors played in bringing authenticity to his story of economic separation and loneliness, 'Amin'.

Sara Colangelo joins us to discuss her process for working with actors, the advantages of a Netflix release and why directing shouldn't be a dictatorship.